So, as on most mornings when my car (poor widdle new beetle !#%)&!#%thing $$$$$) is in the $hop, my boyfriend Antares & I ride to work (well, rather, he drives me to work) in his car. He prefers to listen to NPR on a nice soft volume. (I’m a totally different story. I blast anything from DNB/Dubstep/EDM to rock n roll cranked up as high as it will go on my way to work) Anyways, today we happened to hear a particularly wonderful interview of ICE-T. When we tuned in he was discussing the difference between MC’s and Rappers. He even called Dr. Seuss a Rapper, lol.
Thrilled with this history of Hip-Hop (leading to Breakbeat) culture, I immediately jumped to the NPR interview page and immortalized the interview via ISSUU PDF. All credit due was given, of course. I DID take it directly from their website. (durh)
Below are two ways you can read the interview. I have also included a link back to the npr music website where the transcript was copied.
I decided to immortalize the article in ISSUU PDF format, which is at the end of this article.
My personal favorite quote is basically the last paragraph that is (definitely edited) recorded in this version of the transcript. To paraphrase: Ice-T speaks about how rap and/or hip-hop has become irrelevant to today’s current events. I couldn’t agree more.
(Asshole.) I will never support him, by the way. Okay, Okay, you can’t base an entire culture’s legacy on a single person’s inability to conceive of respect for women. I mean, Beyonce and her sisters haven’t even endured what poor Ri Ri has. It’s almost like the Tina Turner era all over again with Rihanna. (yes I am a fan of hers, and yes I have almost every album of hers on Spotify–great service btw, generally speaking. Aside from the fact they removed Pink Floyd’s Pulse Album AND Dieselboy’s Project Human and Sixth Session. GRRRRRR. On top of that, don’t even try to expect a response from Spotify’s “customer service”. it is a joke. Soundcloud is equal to if not better. But only for the hottest/latest tunes.) ANYWAYS On with the edited article.
To note, I did just leave a comment on the article’s page about the edits/cuts from the transcript. Particularly about the development of breakbeat culture and break dancing. I’m assuming it should be posted eventually (pending moderation now). How interesting that NPR claims to be such a pure news reporting agency or conglomerate & yet they blatantly edited this simple article? What are they running out of KB to hold the entire transcript? Give me a break. text is the smallest bandwidth hog there is today.
UPDATE! Finally my comment posted (so I also updated the ISSUU PDF 😉 Please read the comment below.
ANOTHER UPDATE, this seems to be changing by the minute – to the point where I haven’t even officially posted this article. Just tweeted @MorningEdition and expressed my aggravation at their edited content of the interview. They replied 28 minutes ago and said the full interview would be up soon. When this happens, I will update this article and the ISSUU yet again. Thank god for social media?! Below is the screenshot of the conversation:
I will try to download and possibly upload the interview and embed the audio if possible in an attempt to replicate, duplicate, infiltrate and immortalize, but for now, please visit the website as quoted below.
Okay, off my soap box. Read on!!!
I hope you all enjoy!
~ bassgeisha out.
Let’s hear, now, about a documentary with quite a soundtrack. The hip-hop artist Ice-T wants you to think about the art of making rap music.
ICE-T: This film isn’t about the money, the cars, the jewelry, the girls. This film is about the craft – what it takes to write a rap, what goes on inside the head of the masters.
GREENE: Ice-T has come a long way since the time 20 years ago, when his lyrics to the song “Cop Killer” sparked a huge, national controversy. He has a new documentary out that took him from Harlem and the South Bronx to Detroit and South Central, Los Angeles.
Ice-T talked to artists like Doug E. Fresh, Ice Cube, Snoop Dog, Run DMC. And he focused on how these artists go about creating rap lyrics and beats. Ice-T joined us from member station WABE in Atlanta. Good morning, and thanks for talking to us.
ICE-T: Hey, thanks for having me, man. It’s cool to be here.
GREENE: You said that this was a film that you just had to make because, as you put it, rap music saved your life. Can you explain that?
ICE-T: Well, you know, before rap came along, I was, actually, actively in the streets; getting in trouble, doing the wrong thing. My father died early. My mother died early. I started hanging with the gangs. I’m on the streets; I’m committing crimes. And the music came along, and this music just took me on a different road. I mean, now you see me, I’m on television. I’m on “Law & Order”; I’m playing the cops.
I mean, if it wasn’t for rap – that was my first step into the legitimate world. Now, people look at me like oh, I love him; he’s so respectable.
ICE-T: You know, I was a pretty bad person early in my life.
GREENE: Rap, there’s a lot of – I mean there’s a lot of anger that you can hear. Was it a way to express the anger and frustration of, you know, a tough life on the streets?
ICE-T: Well, rap is rock ‘n’ roll. Rock is when you push the buttons in the system; when you say, I’m not going along with what you’re saying. That’s rock, whether it’s done with guitars, or it’s done with just beats. So rap is rock – and there’s anger in rock. There’s anger in punk. It’s a real voice, uncensored, and you will hear anger when you uncensor the voice.
GREENE: Let’s talk about the creation. You do call rap an art, and I wanted to play one clip of what rapper Big Daddy Kane told you in the film.
(SOUNDBITE OF MOVIE, “SOMETHING FROM NOTHING: THE ART OF RAP”)
ICE-T: What’s the difference between a rapper and an MC?
BIG DADDY KANE: Well, a rapper is, you know, someone that rhymes. I mean, you can consider Dr. Seuss a rapper.
BIG DADDY KANE: You know, that’s someone that rhymes, you know? You rhyme cat with hat, you know, then you can be considered a rapper. MC is someone that either has that party-rocking skill or that lyrical skill.
BIG DADDY KANE: Doug E. Fresh, Busy B…
GREENE: I don’t know if Dr. Seuss would love every bit of the rap that you guys make. But I guess I wonder, I mean do you consider you and other MCs poets? Is that the art that we’re talking about?
ICE-T: Really, when you say the word MC, people don’t even really know what that word means. See, back in the day – I’ll give you a little, quick history lesson.
GREENE: Yeah, give it to us.
ICE-T: Back in the day, DJs found out, with the use of a mixer, that they could play the breakdown of a record. That’s the part where the record goes (Singing) Get down, do-dum, do-dum, do-dum.
And they usually – there’s no words over the break. When you’re at a club and the breaks happens, that’s when you try your best moves. That’s when you dance the best. So the hip-hop DJ found out that since that’s the best part of the record, why play any other part of it? So before you know it, the DJs are spinning Steve Miller Band. They’re playing Aerosmith. You know, I used to have my DJ play Black Sabbath, like (Singing) Dun-dun, do-dun, dun, boom-ta, boom-boom-ta-boom-boom.
OK, the kids that really danced off it were called break dancers. That’s what breaking means, the dancing off the break of a record. Now, the DJ is doing this incredible thing. He hands the mic to somebody and says, tell them how great I am.
ICE-T: That’s an MC, a master of ceremonies. Now, the MC would say hey, the DJ is good but you know, I’m kind of fly. And he slowly stole the show, and he’s supposed to be rapping about the DJ. So when we say a rapper, a rapper can say a rhyme. But an MC can rock a party, you know?
And I guess you consider us poets. I would say competition poetry – or verbal gymnast, because a lot of the great poetry doesn’t rhyme.
GREENE: Here, rhyming is always important.
ICE-T: Here, rhyming is essential.
GREENE: The evolution of your life was kind of – I thought – captured in a New York Times Book Review, when you came out with a memoir last year. They said you’ve gone from robbing people to rhyming for them; from singing about killing cops, to playing a cop on camera. And you, of course, on “Law and Order: SUV,” as Fin. And I guess I wonder, being a cop on screen so often, and looking back to “Cop Killer” 20 years ago – I mean, what do you reflect about?
ICE-T: I mean, honestly, I’ve never been a cop hater. You know, when I was breaking the law, the cops were the opponent. I just thought I could outsmart them. Anybody who speeds thinks they can outsmart the cops. So at that time, you know, I was breaking the law. I knew what the law was; I was breaking it. Why am I mad at the police?
“Cop Killer” was a song about brutal police. It was a year before Rodney King, and I was living in the world where the cops were snatching people out the car, beating their (BLEEP). So I was like, what if somebody went on a binge after y’all, after the brutal cops. How would you feel about that?
GREENE: I want to play one more clip from Big Daddy Kane in the movie.
(SOUNDBITE OF MOVIE, “SOMETHING FROM NOTHING: THE ART OF RAP”)
ICE-T: If you were going to personally train a rapper to be great – you met a new cat – what would be the first lesson you’d give him?
BIG DADDY KANE: Well, the first thing I would try to teach him – the very first thing would be originality. You know, say – I think that is so important because it’s like it is – whenever you’re following a trend, trends come and go.
BIG DADDY KANE: So, when that trend is gone, you’re gone.
You’re basing your career on a banging beat and a catchy hook. So you know what you just did?
ICE-T: What did you do?
BIG DADDY KANE: You just made your producer a star.
GREENE: And I – that last bit right there – you just made the producer a star – I guess I wonder, what is rap and hip-hop today? Is it less about lyrics; and is it more about the beat, and the producers getting more attention?
ICE-T: Yeah. Truthfully, you know, a weak rapper can hide behind a lot of production. And that’s why, in the film, we didn’t have them rap with music. We always did the a cappella version so you can actually hear the lyrics.
I think all music – not just rap – has fallen into this very diluted, delusional state, where everyone’s singing about money and having cars, and having all this fun; when really, people are losing their homes. You’ve got the Wall Street situation, the sub-prime situation. You’ve got a black president. We’ve got wars. We’ve got unemployment. But the music doesn’t reflect that. And I challenge anybody to show me a music that’s on the radio that reflects that.
GREENE: Ice-T, thank you so much for talking to us.
GREENE: That’s rap musician Ice-T, speaking to us from member station WABE in Atlanta about his new documentary, “Something from Nothing: The Art of Rap.”
(SOUNDBITE OF MUSIC)
GREENE: This is MORNING EDITION from NPR News. I’m David Greene.
RENEE MONTAGNE, HOST:
And I’m Renee Montagne.